mi prep. "in, within" (MI, VT27:20, VT44:18, 34, VT43:30; the latter source also mentions the variant imi); mí "in the" (Nam, RGEO:66; CO gives mi; the correct forms should evidently be mi = "in" and mí = mi i "in the"; VT49:35 also has mí with a long vowel, though the gloss is simply "in"). Used in PE17:71 (cf. 70) of people clad "in" various colours, e.g. mi mísë "in grey". Allative minna "to the inside, into" (MI), also mina (VT43:30). The forms mimmë and mingwë seem to incorporate pronominal suffixes for "us", hence ?"in us", inclusive and exclusive respectively. The pronoun -mmë denoted plural inclusive "we" when this was written, though Tolkien would later make it dual instead (see -mmë). Second person forms are also given: mil or milyë *"in you" (sg.), millë "in you" (pl.) (VT43:36). A special use of mi appears in the phrase Wendë mi Wenderon "Virgin of Virgins" (VT44:18); here mi appears superfluous to achieve the desired meaning, but this combination of singular noun + mi + plural genitive noun may be seen as a fixed idiom expressing that the initial noun represents the most prominent member of a class.
Quenya
mi
preposition. in, in, [ᴹQ.] within
mi
in, within
mitta
preposition/adverb. between, [ᴹQ.] inwards, into, [ᴱQ.] in; [Q.] between
A derivative of √MI “in” with various meanings throughout Tolkien’s life. It seems to mean “in” within the name Mittalmar “Inlands” from the mid-1960s. In Quenya prayers of the 1950s, it was briefly used for “among” before being revised to mika (VT43/27-28), and was glossed “between” in accompanying etymological notes (VT43/30). In The Etymologies of the 1930s, ᴹQ. mitta or minta was glossed “inwards, [?]into” [the second gloss is difficult to read] under the root ᴹ√MI “inside” (EtyAC/MI). In the Qenya Lexicon of the 1910s ,ᴱQ. mitta was glossed “in, into, inwards” under the early root ᴱ√MĪ (QL/61).
Neo-Quenya: For purposes of Neo-Quenya, I would use mitta as a preposition or adverb meaning “inwards, into”, and would assume the 1950s meaning “between” was transient and abandoned.
mitta-
between
mitta- (2) prep. "between" (VT43:30; the final hyphen may suggest that suffixes would normally follow)
mi oromardi lissë miruvóreva
of the sweet mead in lofty halls
Fourth line @@@
mi formen
in [the] North
alcar mi tarmenel na erun
Alcar mi Tarmenel na Erun
Tolkien’s translation of the Gloria in Excelsis Deo prayer into Quenya, composed sometime in the 1960s (VT44/31), first published in the “Alcar mi Tarmenel na Erun” article in Vinyar Tengwar #44. Tolkien only translated the first two lines of the prayer. Tolkien did not provide an English translation of the prayer; following the editor of the “Alcar mi Tarmenel na Erun” article, I used a modern English (King James) translation of the prayer (VT43/31).
Tolkien made three translations of the lines; the version presented here is Arden Smith’s “reconstructed” version, which is version II with corrections from the incomplete version III. Note that Arden Smith was uncertain of the order of composition of the versions, suggesting that version I might have followed II and III, but his analysis (and mine) assumes that the versions were created in the order they appeared on the page (VT44/32).
Further discussion can be found in the analysis of the individual phrases. My analysis largely follows that of the “Alcar mi Tarmenel na Erun” section (VT44/31-7).
aina wendë mi wenderon
Holy Virgin of virgins
The twelfth line of Tolkien’s Quenya translation of the Litany of Loreto prayer (VT44/12). The first word is aina “holy” followed by Wende mi Wenderon “Virgin of Virgins”. The word wendë means “virgin”, appearing in both the singular and genitive plural wenderon “of virgins”. This genitive plural form is unusual. The normal genitive plural of a noun ending in -ë is -ion, which would produce ✱wendion. See the entry on the plural nouns for further discussion.
The function of the third word mi is unclear. Normally this word means “in”, but Wynne, Smith and Hostetter suggested that it is used here with the sense “among” (elsewhere usually Q. imbë) as a way of emphasizing the superlative nature of Mary’s virginity: “✱virgin among all virgins” (VT44/18).
Decomposition: Broken into its constituent elements, this phrase would be:
> Aina Wende mi Wende-r-on = “✱holy virgin among virgin-(plural)-of”
alcar mi tarmenel na erun
glory [be] to God in the highest
The first line of Alcar mi Tarmenel na Erun, Tolkien’s translation of the Gloria in Excelsis Deo prayer. The first word is alcar “glory”, followed by mi Tarmenel “in the highest”, more literally “✱in High-heaven”. The fourth na word is the imperative of the verb ná- “to be”. The last word Erun “to God” is the dative form of Eru “God”.
Decomposition: Broken into its constituent elements, this phrase would be:
> alcar mi Tar-menel na Eru-n = “✱glory in High-heaven be God-to”
Conceptual Development: In version I, Tolkien first wrote tarmenissen, apparently the locative plural of tarmen “?high place”, perhaps meaning “?in high places”. He revised this into an assimilated locative tarmenelde of Tarmenel.
In version II he first wrote the allative form Erunna “✱towards God” before changing to the dative form Erun “to God”, also used in version II.
In version III he only wrote the word alcar. For this reason, the phrase in this entry is derived from version II.
|  I  |II|III| |alcar| |{tarmenissen >>} tarmenelde|mi tarmenel|...| |na Erun|{Erunna >>} na Erun| |
ar mi cemen rainë i hínin
and on earth peace, good will toward men
The second line of Alcar mi Tarmenel na Erun, Tolkien’s translation of the Gloria in Excelsis Deo prayer. The first word is ar “and”, followed by mi cemen “on earth”, more literally “✱in earth”. The fourth word is rainë “peace, good will” followed by i hínin “toward men”, more literally “✱to the children”, with hínin being the dative plural of hína “child”.
Decomposition: Broken into its constituent elements, this phrase would be:
> ar mi cemen rainë i hín(a)-i-n = “✱and in earth [be] peace the child-(plural)-to”
Conceptual Development: In version I, Tolkien used the assimilated locative of kemende “on earth” instead of mi cemen as in versions II-III. He also wrote an incomplete form r... for “peace” in version I before revising it to sívë. In version II, he first wrote sérë for “peace” before changing it to rainë, the form that was also used in version III.
For “towards men”, Tolkien wrote fírimonnar in version I, the allative plural of Fírimo “mortals”, literally “✱towards mortals”. This form also appeared in version II, but it was rejected, replaced first by híniryannar, the 3rd-sg-possessive (-rya “his”) allative (-nna “towards”) plural of hína = “✱towards his children”. This in turn was replaced by i hinin with a short i (probably a slip) in version II, which was corrected to the form i hínin in version III.
|  I  |II|III| |ar| |kemende|mi kemen|mi cemen| |{r... >>} síve|{sére >>} raine|raine| |fírimonnar|{fírimonnar >> híniryannar >>} i hinin|i hínin|
The development for the word for “peace” was the basis for Arden Smith’s suggestion that version I might follow version II-III (VT44/33). The form sérë was the earliest of these words for “peace”, appearing in The Etymologies from the 1930s as ᴹQ. sére “peace”. Taken together with the incomplete form r... in version I, a plausible development would be:
> {sére >>} raine (II-III) >> {r... >>} síve (I)
However, the development of the phrase “towards men” makes more sense if the order of development were the same as the order in the page:
> fírimonnar (I) >> {fírimonnar >> híniryannar >>} i hinin (II) >> i hínin (III)
For this reason, I assume (as did Arden Smith) that the order in the page matches the order of development.
lissë miruvóreva mí oromardi
of sweet nectar in the high-halls
The 4th phrase of the prose Namárië. Tolkien altered the text from the poetic version as follows:
> mi oromardi lissë miruvóreva >> lissë miruvóreva mí oromardi
Tolkien moved the possessive element lissë miruvóreva “of sweet nectar” forward in the prose version so that it immediately follows the noun it modifies, namely the lintë yuldar “swift draughts” of the previous line. Thus “swift draughts of sweet mead” as in the English translation of the poem.
imi
in
imi prep. "in"; see mi (VT43:30)
nai tiruvantes i hárar mahalmassen mi númen
in the keeping of those who sit upon thrones of the West
Third phrase @@@
sanomë tarnë olórin, aracorno, eomer, imrahil, mi mísë, mi telepta yo morna, mi laiqua yo ninquë, mi luinë, ta gimli mi lossëa
There stood Gandalf, Aragorn, Eomer and Imrahil in grey, in silver and black, in green and white, and in blue, and also Gimli in white
imi
preposition. in, in, [ᴱQ.] inside
aistana elyë imíca nísi
blessed art thou amongst women
The third line of Aia María, Tolkien’s translation of the Ave Maria prayer. This is a declarative statement. The first word aistana “blessed” is the predicate. The second word elyë “thou” is the subject, the emphatic form of the pronoun lye “you (polite)”. The last two words are the prepositional phrase imíca nísi “among women”, the latter being the plural of nís “woman”. As in the second line, there is no Quenya equivalent of the English word “are (art)” in the final version of the prayer.
Decomposition: Broken into its constituent elements, this phrase would be:
> aistana elyë imíca nís-i = “✱blessed [art] thou among woman-(plural)”
Conceptual Development: The first two versions of the prayer used manna for “blessed” instead of aistana. Tolkien considered several different prepositional elements for English “among”: mil (I deleted), mi (I-II), mitta (III deleted), mika (III) before settling on imíca (IV).
In version I-II, he used another word for “women”: nínaron, apparently genitive plural of an otherwise unattested word nína. In version I, he considered and deleted many variants before settling on nínaron. I’ve omitted them from this discussion because they appear nowhere else, and including them would obscure the development of the phrase. For further details, see VT43/27, 31.
| |  I  | II |III|IV| | |elye|manna|aistana| |{manna na >>}|na manna|nalye|elye| |{mil >>}|mi|{mitta >>} mika|imíca| |[various >>]|nínaron|nísi|
átaremma i ëa han eä
our Father who art in Heaven
The first line of Átaremma, Tolkien’s Quenya translation of the Lord’s Prayer. The first word Átaremma “our Father” is atar “father” with the 2nd-person-plural-exclusive suffix -mma consistent with the 1st edition of The Lord of the Rings (after the 2nd edition of The Lord of the Rings, this suffix would be -lma).
The remainder of the phrase i ëa han Eä “who art in Heaven” is a circumlocution, literally meaning “✱who is beyond Creation [the Material Universe]”. This allowed Tolkien to avoid an explicit name for Heaven, though he did use Eruman for “Heaven” in the fifth line of the prayer.
Decomposition: Broken into its constituent elements, this phrase would be:
> Átar-emma i ëa han Eä = “✱Father-our who is beyond Creation [the Material Universe]”
Conceptual Development: The form Ataremma for “our Father” appears in all versions of the prayer, sometimes preceded by the interjection a or Ai “O”. Wynne, Smith and Hostetter suggested that the long Á of Átaremma in versions V to VI of the prayer may be a coalescense with this interjection (VT43/13).
In versions I-IV, Tolkien use menel for the word “Heaven” in various configurations, most involving an assimilated locative, such as meneldea “in Heaven”. In other writings, Tolkien said that menel referred to the dome of the sky or “the firmament”, and therefore was not proper for “Heaven” (MR/387, PE17/152). Perhaps because of this, in version V he switched to the circumlocution i ëa pell’ Eä, with an assimilated form of the preposition pella “before”. In version VI he changed the preposition to han, as above.
In the earliest version (I), Tolkien used the word na for “is”, added at the end of the phrase, but it was omitted later.
| |  I  |IIa|IIb|III|IV|V|VI| | |A|Ai| | |Ataremma|Átaremma| | |i| |i| |{menellea >>}|menelzea|meneldea|ëa pell’ ëa|ëa han ëa| |na| |
-lmë
suffix. we (exclusive)
-mmë
suffix. we (exclusive)
enel
between
enel prep. "between" = "at the central position in a row, list, series, etc. but also applied to the case of three persons" (VT47:11). This preposition refers to the position of a thing between others of the same kind; compare imbë.
imbë
between
imbë (1) prep "between" (Nam, RGEO:67, VT47:11, PE17:92). This is "between" referring to a gap, space, barrier, or anything intervening between two other things, like or unlike one another (compare enel). The pluralized form imbi implies "among" of several things (ancalima imbi eleni "brightest among stars"); "in the sense 'among' before plurals [imbë] is usually pluralized > imbi even when a plural noun follows". As pointed out by Patrick Wynne, imbi may also be used in the sense of "between" before two singular nouns connected by "and" (as in the example imbi Menel Cemenyë "between heaven and earth"), whereas imbë is used before dual forms, as in the examples imbë siryat "between two rivers", imbë met "between us". Elided imb' in the phrase imb' illi "among all" (VT47:11, 30). A dual form imbit is also mentioned, used to express "in absolute form the sense 'between two things' when these are not named" (apparently meaning that imbit expresses *"between them" referring to two entities, with no noun following) (VT47:30, PE17:92)
telumbë
noun. mushroom
The Quenya preposition for “in”, very well attested. It was derived from the root √MI of the same meaning (PE17/92; VT43/30; VT47/30). In The Etymologies of the 1930s ᴹQ. mi was glossed “in, within” under the root ᴹ√MI “inside” (Ety/MI).
Conceptual Development: In the Qenya Lexicon of the 1910s, the preposition mi appeared (untranslated) in the phrase ᴱQ. Uole·mi·Kūme “Moon King” = “✱Uole in the Moon” (QL/48). The main dictionary had the adverb ᴱQ. imi “in, inside” under the early root ᴱ√IMI (QL/42). In one place in Tolkien’s later writings from the 1950s, the preposition mi “in” had the variant form imi as well (VT43/30).